It’s a completely different energy than what we’re used to, it’s just easier and wilder. I didn’t notice it until we started touring with these guys and now we’re making all this dangy art. It’s all about getting down and banging to your own stuff. It can be dancing in sync and stuff, but it’s more the dancing you get in the ghetto, or at a party. Now and again you get drama queen girls that are mimicking it and it’s not in their blood… I don’t really dig the Britney Spears choreographed dancing. They were very cool, and some of them could grab the African aggression, but it’s difficult, it’s just very African and you don’t see it anywhere else. And then now and again we’d have dancers from America coming in, and they’re all different. The first dancers we used to roll with were all from Africa, and they’d dance in a way that’s like, it’s unique and aggressive in a really beautiful way. When we first had dancers, it was nice having a different energy in it. Is there a different creative energy in the air as well then? It’s the first time we’ve ever done it, it’s a new show so it’s got like a different zing to it. We’re quite nerdy, we don’t drink that much because we dig having energy for the show, but the boys go off, they’re in like a dream zone. It’s like you’re just travelling with friends, going to different cities, only it’s all paid for, we have shows every night and we can go out after. You know when everyone’s having such a blast, and it’s all new, and the energy is just infectious. It’s constant fun every night and you have to focus on being ready to rap again. We used to have shit buses and now we have fancy ones, it’s quite dreamy. They’ll be like: “This hotel room is amazing! This coffee machine is fucking mind-blowing.” Y – They’re all from the ghetto, and everything is just so new to them.
How is touring different now that you have a whole crew with you?
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